SEEMING
post-human | post-gothic
THOUSHALNOT
1998-2012
SCORING
I have scored short films, video games, and TV commercials (most recently for Pep Boys). Adept with a variety of orchestral, electronic, piano, and soundscape-based approaches, I am selectively available for projects. Work samples will be provided upon request.
CHAMBER MUSIC
I compose continuously in a variety of styles, generally preferring the focus and detail available in works for small ensembles. Below are several recordings.
Recordings:
“Eighty-Three Chambers to Freedom” (for flute, clarinet, violin, 'cello, piano, and percussion, 6')
“Antiphon” (for bassoon, 'cello, piano, and chimes, 9')
“Venus in Reverse” (for violin and electric guitar, 5')
Other works include:
“Scared to the Memory of Betsy Harris Who died suddenly while contemplating on the beauties of the moon the 24th day of April 1831 in her 23rd Year” (for choir, 10')
“Apophasis” (for string orchestra, 9')
“static takes love's body” (concerto for piano and choir, 25')
“Geometric Defiance” (for string quartet, 7')
“El Salvador, 1962” (for flute, English horn, celesta, bass, and percussion, 8')
“Bibliomancy” (for alto flute, piano, and drums, 6')
“Wedding Dances” (for two pianos, 6')
“Songs Not Entirely About Sickness” (for voice and piano, 11')
“Apples and Blood” (for two violins, 4')
“Night on Mt. Lebanon” (for orchestra, 6')
“The Face of God” (for wind quartet, brass quartet, piano, percussion, tape, and narrator, 40')
SCORES, PARTS, ADDITIONAL RECORDINGS, AND COMMISSIONS ALL AVAILABLE UPON REQUEST